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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, March 15, 2020

COVID 19 Journal 2

March 15, 2020

Data drawn from Arcgis which for a time was accurate
We have been practicing social distancing in name, and in physical distance between people, but we've seen so many people this weekend.

It's so strange not to hug people. Rachel came (to our house! live and in the flesh!) and we couldn't hug her. It felt like eating a hotdog without the hotdog, like just eating the bun. Same with my mom when she came through, and Max's Virginia family. 

We stood in the library annex visiting with Max and his half-sister Caroline, her husband Bill and their daughter Anna. Max's mother came later and joined us. We were there to celebrate Max's photo exhibit opening, exquisite images of WNC waterfalls taken with a pinhole camera and printed in liquid-smooth shades of black and white.  The official reception was cancelled the day before the event, to protect everyone from each other's germs but it was a real shame. Max worked so hard on this; I know Bronwen must have, too.  Some folks had planned to come (like his Virginia family) anyway I think, which meant a lot to us.


We were keeping some distance between each other as we talked but my eyes were hungry for people's faces-- Max's sister's animated face, her hair and eyes and how she sets the room spinning when she talks; his cousin Anna's face, just as lively and with so many thought-balloons around her head that I can never quite read. 

Max's mother joined us, to my delight, wary at first of A's recent cold but so glad to see people she was soon running with A. around the mostly-empty room, making laps and challenging him to a race. It was such a quick burst of people and emotion I wanted to collect them all like eggs and put them in a basket for later. 





Saturday, March 17, 2012

People Who Steal















*No offense intended to those with muscular arms, anchor tattoos, cigarettes or big red hair.*

Sunday, January 22, 2012

Rembrandt exhibit

Trying to tell a real Rembrandt from a fake



when everything is dark and the figures stare hauntingly
from their 17th century lives




when clothes were heavier


and women fell between the cracks of history




it makes you wonder how to know Rembrandt as a whole--

so irresistibly imitable, sought after for 3 decades,
then falling out of style when a brighter pallet was preferred.
So many of his loved ones died,
and he himself buried in a rented grave.



Swimming in the dark sea of paintings,
it's easy to claim your own version of Rembrandt--




to decide which paintings speak the most and seem most "real".





but it begs the question--with such a legacy
are the workshop imitations not just part
of a continuing Rembrandt conversation--




and what is our own part in this, 400 years later
standing in jeans and headphones,
gazing into those bottomless eyes?