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Sunday, January 22, 2012

Rembrandt exhibit

Trying to tell a real Rembrandt from a fake



when everything is dark and the figures stare hauntingly
from their 17th century lives




when clothes were heavier


and women fell between the cracks of history




it makes you wonder how to know Rembrandt as a whole--

so irresistibly imitable, sought after for 3 decades,
then falling out of style when a brighter pallet was preferred.
So many of his loved ones died,
and he himself buried in a rented grave.



Swimming in the dark sea of paintings,
it's easy to claim your own version of Rembrandt--




to decide which paintings speak the most and seem most "real".





but it begs the question--with such a legacy
are the workshop imitations not just part
of a continuing Rembrandt conversation--




and what is our own part in this, 400 years later
standing in jeans and headphones,
gazing into those bottomless eyes?



1 comment:

  1. wow... your poem made me wish I had gone to the exhibit here. I've never had a thing for rembrandt on my own but with your words, it could have propped me up to it. :)

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